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Write a critical note on the characteristics of poe’s short story
Smt. S.B.
Gardi Department of
English
Assignments
Name:- Rathod Neha R.
Class:- M.A. Sem-3
Roll No:- 28
Email Id:- neharathod108@gmail.com
Year:- 2015-2016
Paper No:- 10
Topic:- Write a critical note on the
Name:- Rathod Neha R.
Class:- M.A. Sem-3
Roll No:- 28
Email Id:- neharathod108@gmail.com
Year:- 2015-2016
Paper No:- 10
Topic:- Write a critical note on the
characteristics of
poe’s short story
Write a critical note
on the
characteristics of poe’s short story
Edgar Allan Poe (1809-1849)
Edgar A. Poe was most dominant figure of the Romantic Literature. He is mostly
known for his regular genre or fiction like mysterious stories or detective
stories. He was born in Boston and was an orphaned child. Thereby he was living
with John and Frances. In the very beginning of his childhood he has lost his
parents and has got influence of it in his life as a orphan boy.
Edgar Allan Poe most probably known for his contribution in Cosmology and
Cryptography. Cryptography is a kind of writing or style where writer is using
some numbers and symbols. But it stands for some kind of messages which is
bounded to give openly or directly. Poe was most famous in American society
because his writings were spread all over in America and Boston. Thus in Poe’s
stories we can find out such a kind of thinking process which can be connected
to the idea of discrimination of a particular group of people who are not
acceptable in the society in which we are living, it called as a well respected
society.
E. A. Poe has written five major short stories and each and every story
contains the different meaning. All of these stories are dependable on
Psychological facts and logical; thinking process.
1.
The fall of the House of Usher.
2.
The Purloined Letter.
3.
The Gold Bug.
4.
The Tell Tale Heart.
5.
The Cask of Amontillado.
In these stories we could not find out female characters into the power
position. So the question of gender here comes, when man is writing a story and
female is writing a story.
characteristics of
poe’s short story
The Gothic Romantic Movement
combined elements of horror and romance – much like our thriller and horror
films today. By the time Poe came along, people weren’t writing as many horror
stories – the genre had fallen out of favor somewhat, but Poe was one of the
main writers who reinterpreted and refreshed the genre. The Romantics focused
on awe, trepidation, and terror and the Gothics focused on the mysterious, such
as hidden passageways, ghosts, screams, and magic. So when the two are
combined, such as Poe did, you end up with a whole lot of creepy.
Edgar Allan Poe, an important writer
and a poet, during the Victorian Gothic period is credited with producing many
tales of mystery, and terror. Poe’s first collection of short stories “Tales of
Grotesque and Arabesque” was published in 1839.Poe’s imaginative writings
within several different modes of discourse show how Poe both followed yet
departed from a variety of literary approaches and genres. In ‘Poe and Gothic
Tradition’, Benjamin Franklin Fisher begins by placing Poe among Anglo-American
Gothic novelists and then provides close readings of several of Poe’s Gothic
tales to show how he manipulated and challenged the conventions of gothic
fiction and horror. Also best known for his tales of mystery and macabre, Poe
was one of the earliest American practitioners of short story and is considered
the inventor of detective fiction genre.
Poe's statement not only furnishes a
negative basis for telling what a short story is not, but it
Also offers a positive foundation
upon which we can establish a definition of the short story which declares that
a short story is a brief tale which can be told or read at one sitting.
This definition requires two things
of the story: (1) that it shall be short and (2) that it shall possess
coherence sufficient to hold the reader's or listeners unflagging interest from
beginning to end.
Short Stories typically range from
1600 to 20000 words. It is decided by authors and critics. Majority believe in
1600 to 20000 words. Even Poe suggested that a short story should take 30
minutes to two hours to read. We are able to read it in one sitting. Due to
invention of television and radio for entertainment, these are based on long
time. But the thing is that the idea of one sitting rule is still a good one.
That’s why Chetan Bhagat still has popularity in people. Poe’s all short story
are in these range.
Subject:
Short Stories focus on a single
subject or theme. Poe also believes that single subject or theme is better to
make story effective. If story have multiple subjects then it is complex for
reader to understand easily.
For example –
Poe’s every short story deals
with subjects like love and hate; the rivalry between self and alter ego; the
personification of memory after death.
Love and Hate:
Poe highly influence by Freud
Psychology. Freud believes that these two emotions are universal emotions.
These two emotions are interwoven. It cannot be separated. Poe described the psychological
complexity of these two emotions in many stories such as:
The Tell-Tale Heart
The Cask of Amontillado
William Wilson
These two emotions lead towards the
gothic terror. For example – In ‘‘The Tell –tale Heart’’, narrator love old man
and also hate him because of his artificial eye. So, eye became the villain of
their friendship. Narrator’s love changed into hate when he seemed Old man’s
eye. There was also one reason which is interpreted by critics that there was
master – salve relationship between both of them. It is also one reason which
was leads narrator to kill his master.
In ‘‘The Cask of Amontillado’’,
narrator is Montresor and Fortunato is his friend. They love each other. But
Montresor’s love changed into hate because of his friend’s madness. And he
killed his friend. Here we also find out master – salve mentality. Fortunato is
the master of Montresor. And because of his position, he frequently insulted
his friend. We came to know this thing through the dialogue of Montresor that
‘‘I have thousands injury and insult’’.
In short they all are mentally
disturbed and this disturbance leads them towards gothic terror
.
Self vs. Alter Ego:
Freud gave the three levels of
individual viz,
Id
Ego
Super Ego
Poe’s
every characters have internal conflict which is leads towards them into
unexpected decision. They are not able to control their mind. Ego is not able
to control their id. That’s why they driven from two opposite personality. Even
they also don’t know about the two personalities. But when ego is suppressed by
super ego and id, second personality automatically came. That time they cannot
judge that what is right or wrong. The same problem we find out with young man
in ‘‘The Tell-Tale Heart’’ and Montresor in ‘‘The Cask of Amontillado’’. Both
characters killed them whom they love much. Super ego felt them about their
guilt. And their guilt conscious leads toward there where they felt what they
done wrong. At the end they confesses and redemption about wrong thing that
they done.
Limited number of Characters:
Because of the limitations of the
genre, short stories typically focus on just one or a couple characters. Due to
the short period of time writer cannot gave justice to individual. Characters
cannot develop in actual way. That’s why if they kept one or two it is better
for their stories.
The Power of the Dead
over the Living:
Poe’s
every characters conscious about their guilt through the memory. These memories
of the dead one force them in the physical world. For example – A young man who
felt the throbbing of Old man’s heart though his was dead. Because of these the
living cannot feel free. They always surrounded with these voice. So, we can
say that the power of the dead over the living.
Strive for unity of effect:
Poe believed the aim of the short
story was to create a mood, an effect on readers mind. Stories are strong
enough to catch the reader’s attention at the beginning to the end. Poe is very
careful about these things. He creates an effect of horror or terror. Readers
are in tension about the next step. Poe is famous even today because of this
reason that he was able to create the effect on reader’s mind. He creates
the effect at the beginning.
For example-
The Tell-Tale Heart
TRUE! –nervous – very, very dreadfully
nervous I had been and am; but why will you say that I am mad? The disease had
sharpened my senses – not destroyed – not dulled them. Above all was the sense
of hearing acute. I heard all things in the heaven and in the earth. I heard
many things in hell. How, then, am I mad? Hearken! and observe how healthily –
how calmly I can tell you the whole story.
So, the words like nervous,
dread, mad, disease, destroyed, dull, all the words indicates something wrong
going on.
********************
Vocabulary
Smt. S.B. Gardi Department
of English
Assignments
Name:- Rathod Neha R.
Class:- M.A. Sem-3
Roll No:- 28
Email Id:- neharathod108@gmail.com
Year:- 2015-2016
Paper No:- 12
Topic:- Vocabulary
Name:- Rathod Neha R.
Class:- M.A. Sem-3
Roll No:- 28
Email Id:- neharathod108@gmail.com
Year:- 2015-2016
Paper No:- 12
Topic:- Vocabulary
Vocabulary
Vocabulary and language teaching is
written by Ronald Carter. In this book he talks about
1.
Quantitative Questions:-
Quantitative questions start from investigations
into the number of words the learner knows or may need to know at a particular
stage of learning. Issues of frequency, the construction of core vocabularies,
definitions of the size of vocabularies required for specific tasks such as
reading are uppermost.
2. Processing Questions :-
How we
process language input has been a main orientation in second language
acquisition research. The paper by Haastrup in this volume takes vocabulary
processing as a starting point, exploring in particular how a group of learners
develop lexical differencing strategies in their processing of new words.
3.Evaluation Questions :-
In order to test a learner's knowledge of a word, it is necessary to understand
fully what
it means to 'KNOW a word' or at
least what it means effec7 tively to process lexical input. In his paper Arnaud
investigates, by means of a 'multi-trait – multi - method' procedure, the
extent to which separate tests of vocabulary and grammar are valid.
4. Questions of
Difficulty :-
Definitions of 'difficult words' or 'easy words' are
key elements in the question: 'what does it mean to know a word?' They are
bound up with further questions of why some words are easier to recall than
others, why some words can be retained over periods of time while others are
more difficult to retain and what part is played by the specific learning
encounter with a word in processing retention and recall.
5. Developmental Questions :-
These latter papers show an
involvement with questions of pedagogic strategies for vocabulary development
which only underline the vital requirement of knowing more about vocabulary
acquisition.
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